'The Stringer' Review: Who Took the Photo Known as 'Napalm Girl'?

Owen Gleiberman

Recent Articles

Film 4 hours

‘The Stringer’ Review: Who Took the Historic Vietnam War Photo Known as ‘Napalm Girl’? A Riveting Documentary Says the Answer Lies in a Conspiracy
Film 2 days

‘Kinda Pregnant’ Review: Amy Schumer Gets Her Comic Fury Back as a Teacher Who Pretends to Be Pregnant
Film 6 days

Does Sundance Still Matter?
Film 1 week

The 16 Best Movies of the 2025 Sundance Film Festival

Film 1 week

‘The Alabama Solution’ Review: Andrew Jarecki’s Powerful Exposé of a Prison System Where Sanctified Lawlessness Is the Law
Film 1 week

‘Lurker’ Review: A Geek Edges Himself Into a Pop Star’s Inner Circle in Alex Russell’s Nifty and Unnerving Parable of the Pathology of Fame
Film 2 weeks

‘It’s Never Over, Jeff Buckley’ Review: Amy Berg’s Documentary Reverently Captures the Late Rocker With the Voice of an Angel
Film 2 weeks

‘Together’ Review: Dave Franco and Alison Brie Are a Couple Falling Apart (and Fusing) in a Looney-Tunes Bash About the Body Horror of Love
Film 2 weeks

‘Peter Hujar’s Day’ Review: Ben Whishaw Plays the Noted New York Photographer in Ira Sachs’ Magical 1974 Time Capsule of a Movie
Film 2 weeks

‘Rebuilding’ Review: Josh O’Connor Is a Rancher Who’s Lost Everything in a Drama That Mostly Just Sits There
Film 2 weeks

‘The Thing with Feathers’ Review: Benedict Cumberbatch Plays a Widowed Father in a Movie That’s Overly Literal About Turning Grief into — Yes — an Oversize Crow
Film 2 weeks

‘Ricky’ Review: Powerful Sundance Drama About a Young Man Just Out of Prison Navigating a World of Booby Traps Establishes Rashad Frett as a Born Filmmaker
Film 2 weeks

‘Sly Lives! (aka the Burden of Black Genius)’ Review: Questlove’s Sly Stone Doc Is Dazzling and Definitive

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